Selected Work
01Lighting Design · Programming · Rigging
A technically ambitious mainstage design built around eight Ayrton Rivale Profiles, a new third electric, and three flown LED wall segments.
Davis designed and programmed the lighting on an ETC Eos multi-console system. He also engineered and implemented the rigging for three flown LED wall segments, coordinating their placement with Kyle Helberg’s video design.
Selected paperwork · Third electric
02Lighting Design · Programming · Head Electrician
A compact black-box system expanded with moving profiles, saturated color, and precise framing to create the scale of a full musical.
Working with a compact conventional system augmented by Ayrton Rivale Profiles and CHAUVET COLORado Solo 3 fixtures, Davis drafted the plot and paperwork, programmed on an ETC Ion Xe 20, and led the electrics work.
Selected paperwork · Full light plot
03Lighting Programming
A first dedicated programming engagement, adapting a clean show file when four moving lights joined the rig one day before technical rehearsals.
Programming for lighting designer Christina Giannelli, Davis incorporated four late-added Elation Picasso fixtures while preserving references, tracking, and a clean ETC Ion Xe 20 show file throughout a demanding tech process.
Moores Opera Center · Directed by Kathleen Belcher